Lucinda Coxon: Anybody talking about their film’s success has also had a huge amount of failure
“The Danish Girl” screenwriter talks killing characters, theater vs. film and disruptive childhoods.
|2017.08.01
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"If I watch Shakespeare in Japanese I can see the patterns in the play because I’m not worried about the words."
"You know, sometimes the husband is horrible and you want to spend some time with the lover and then you get bored of the lover and you go back to the husband."
"So what is it that generates that intensity of emotions? It means a very intense character, or sometimes it means a character who leaves enough space for you to be intense."
"People became a bit more aware of transgender actors, and that there are these actors and that they should be working."
Dafina Halili
Dafina Halili is a senior journalist at K2.0, covering mainly human rights and social justice issues. Dafina has a master’s degree in diversity and the media from the University of Westminster in London, U.K..
This story was originally written in English.